Sometimes, when I get too much in my head about writing a play, I have to remind that my greatest joy as a playwright is to bring people together to laugh, cry, think, feel, remember, understand, and on a good day, to change.
Read more...Author: Conrad
Amihan, The Typhoon Spinner (A FIRST DRAFT)
A found first draft NEW ONE-ACT PLAY that was written for a class in Grad School. There’s A LOT of holes and the final scene makes no sense… but I reached END OF PLAY.
Read more...Standing Above Pajaro (10-Minute Play)
The 10-Minute version of my one-act, STANDING ABOVE PAJARO. This is a re-imagining of what could have happened on a dreadful night in Watsonsville, CA during the 1930 Racial Riots against the Filipinos there.
Read more...A Reflection on Table-Reads
The importance of table reads are so important in the development of a play. I finally get to reflect on that journey.
Read more...The Ruby Reds – An Animated Storyboard
Ever since writing this piece for the Noir Playwriting class at Bindlestiff, I’ve always saw this on film. Thanks to some amazing friends, I can see how that’d look like!
Read more...coder by day / dreamer by night / playwright in between… but for how much longer?
Lately, I’ve been feeling like a square peg who’s constantly trying to pound myself into a round hole. So, here’s a post on hopefully a way to being me again.
Read more...The Temperance of Performing Arts
A meandering post about trying to use art to create a legacy for myself as an artist, but knowing that the memory of art goes poof as soon as the house lights come back up.
Read more...Daryo’s All-American Diner – The Script
Read the complete script of DARYO’S ALL-AMERICAN for free. It’s a play I wrote to attempt to answer, “How can a community come together to heal after an attack on one of its own?”
Read more...Approaching Playwriting as an Entrepreneur
Sometimes you have to blaze your own definition of what being a playwright means. Something I’m still plotting. Plot with me!
Read more...Decolonizing My Playwriting Career
A total mindspill of my thoughts about wanting to, and ultimately feeling why I feel I don’t fit into the “theatre” community.
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